A powerful play by Carol Ann Duffy, using the words of people from across a divide Britain. Originally presented at the National Theatre and now reworked for the screen, Britannia convenes a meeting to listen to her people and consider whether there can ever be a 'United Kingdom'.

A mockumentary that follows Anthony and his friends as they navigate through their individual lives. Nothing is off limits with this group.

6min http://www.tudou.com/programs/view/gir8WQ-RzHQ/

暂无剧情简介

Follows Americans engaging in face-to-face conversations about cultural, political, economic, and generational divisions across seven states.

灵修导师奥利弗·拉克斯（《含羞草》导演）再次出现在镜头前。在安东·科尔巴尔的这部首部剧情长纪录片中，我们可以看到拉克斯一边在西班牙风景宜人的比莱拉村翻修他祖父母那破败的房子，一边制作他的新16毫米电影。

his film records the devising of a “work in progress” by theatre director Ashley Thorndyke (Jason Hoyte). The concept — by Duncan Sarkies (Two Little Boys, Scarfies) — mocks the gamut of thesp and drama school cliches: from ‘wanky’ director to wacky warm-up exercises (animal impersonations, primal screams, Love Boat theme song). Peter Burger, fresh out of Broadcasting School, co-directs, and the willing cast is drawn from the 90s Wellington theatre scene orbiting around Bats and Victoria University. Future Conchord Jemaine Clement memorably learns to get loose.

Allegory as absurd black comedy about the Yugoslav conflict.

Somewhere in the Middle East, undercover agent Victor Bystroletov arrives in one of the oil kingdoms posing as an international journalist. His true goal is to contact a former terrorist named Javad. It has been several years since the holy warrior lay down his weapons and disappeared. Interpol is looking for him, as are his former jihad brothers, who have put a death sentence on his head for betrayal.

"Had it not been for Hitler, I would have been born a German-Jewish child, more German than Jewish, in a small village in the South of Germany. But as it happened, I was born in Argentina, my mothertongue is Spanish. I came to Germany 17 years ago." It is here, where author and director Jeanine Meerapfel starts searching for her own Jewish identity, being confronted time and time again with Federal Republic reality.